The Ghost of St. Philomena's

It's very exciting to be writing a review for Nicolette's play! I love her writing! Her cast of unique and interesting characters each have their own goals, issues, motivations, and voices in this incredible horror play. Their banter back and forth with each other is so much fun while they take you on a ride within their old creepy school.

As a retired high school teacher, I believe teens will be so excited to not only read Nicolette's play but to perform in it!

I am thrilled to be able to write a review for this play. Since I've known the playwright, Nicolette, for many years--I was her directing professor in college--it is a special privilege to offer my thoughts. It's rare that a play written for, and about, high school students is theatrically engaging, laugh out loud funny, and shot through with such important themes as acceptance, empathy, and forgiveness. Crucial lessons for young people.

The characters, a wonderful ensemble, are sharply drawn, unique individuals, and the dialogue absolutely real. And funny! The story's arc takes the audience on a rollercoaster ride of secret revelations and satisfying conclusions. I strongly recommend this play!

This daring play is completely unique in it's story, theatricality and heart. As an actor, director and writer, I was immediately envious of the excellent script. Reading Philomena as an actor, I wished that I had had this kind of terrific and engaging material available to work with as a high school and college drama student. And as an adult, I am chopping at the bit to stage and direct a production. Every high school and college should produce this play. Such a strong, varied and dynamic ensemble of characters! The atmospheric characters add a deep level of empathy. The audience cannot help but care and be invested in the lives that live in this play.

Having had the good fortune to serve as the play’s dramaturg, coupled with my extensive background in directing young performers, I encourage you to explore The Ghost of St. Philomena.

With dynamic dialogue (you’re likely on a never ending quest for scene study resources), a strong selection of teenage leading roles (even the supporting roles ‘lead’ moments of the play), an active ensemble (engaging roles that invite opportunities for creative staging), and contemporary themes that are handled without exploitation or shock, the play is a theatrically rich playground for both young performers and those leading their technique development.

The play lends itself to be directed by students and can even be segmented to assign more than one director. You will find a fine opportunity for your Tech Team to design moments of suspense and craft the eeriness of time and place through set, lights, and sound. And yet, the play will also work with nothing more than a playing space.

The play’s name sake is a patron saint of young people so take that as a ‘divine’ sign to add this play to your library, scene work, and production season.